A bach book for harriet cohen

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‎Bach: Piano Transcriptions, Vol. 9 – A Bach Book for Harriet Cohen by Jonathan Plowright on iTunes

National Library of Australia. Search the catalogue for collection items held by the National Library of Australia. Bach, Johann Sebastian. A Bach book for Harriet Cohen transcriptions for pianoforte from the works of J. A Bach book for Harriet Cohen [music] : transcriptions for pianoforte from the works of J. Request this item to view in the Library's reading rooms using your library card. To learn more about how to request items watch this short online video.
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Published 01.05.2019

Chorale Prelude - "Mortify us with thy Goodness" (Bach) Piano Played by Harriet Cohen

Hyperion Records

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Solo piano - Level C moderately difficult Transcriptions for pianoforte from the works of J. Composed by Johann Sebastian Bach Edited by David Owen Norris. Oxford University Press This reissue of the iconic publication comprises 12 Bach transcriptions prepared for the celebrated pianist Harriet Cohen Arrangements by some of Britain's finest composers are included plus a new introduction by pianist and broadcaster David Owen Norris. Ideal for all pianists of intermediate standard or above.

Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. In the pianist and muse Harriet Cohen invited all her principal composer friends each to make an arrangement of a work by J S Bach for inclusion in an album to be published by Oxford University Press.

T he latest in Hyperion's series devoted to piano transcriptions of Bach brings together pieces by British composers, the centrepiece of which is a collection assembled by the pianist Harriet Cohen and first performed by her in Cohen seems to have been the femme fatale of British music between the wars; as well as being the long-time lover of Arnold Bax, she also had shorter relationships with a number of other composers, not to mention some of the era's writers and politicians.
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