Thesaurus of scales and melodic patterns nicolas slonimsky pdf
Nicolas Slonimsky - Wikipedia
Best known for his writing and musical reference work, he wrote the Thesaurus of Scales and Melodic Patterns and the Lexicon of Musical Invective , and edited Baker's Biographical Dictionary of Musicians. His parents adopted the Orthodox faith after the birth of his older brother, and Nicolas was baptized in the Russian Orthodox Church. He grew up in the intelligentsia. After the Russian Revolution of , he moved south, first to Kiev , then to Constantinople , and ultimately to Paris , where many other Russian musicians and his sister Yulia Slonimskaya Sazonova [2] had already fled. He worked as accompanist to conductor Serge Koussevitzky , and he toured Europe in —22 as accompanist to Vladimir Rosing. Slonimsky's younger brother, Mikhail , remained in Russia and became an author. His nephew, Sergei Slonimsky became a composer.
Slonimsky Idea I, played on Rhythm Changes
(Guitar Book) Nicolas Slonimsky - Thesaurus of Scales and Melodic Patterns
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This study documents and analyzes cyclic patterns used as melodic vocabulary in John Coltrane's improvisations from compositions of to The analysis is categorized in two distinct sections. The first section analyzes melodic vocabulary that is derived from the cycle of descending major thirds progressions found in the compositions of to The second section analyzes melodic vocabulary that is derived from Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns using the theoretical terminology incorporated in the treatise. Musical examples consist of patterns from the Thesaurus and excerpts from selected improvisations of John Coltrane as transcribed by Andrew Bair, Jeff August It has been viewed times, with in the last month.
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Apr 1, 1. Nov 15, Cincinnati. Anybody have any experience with this? I note that there is a bass clef version available through Jamie Abersold. Apr 2, 2. I haven't heard of this one, but it's probably got some mind bending stuff. It's probably similar to Patterns for Jazz.
By using our site, you acknowledge that you have read and understand our Cookie Policy , Privacy Policy , and our Terms of Service. It only takes a minute to sign up. What method of harmonization is Slonimsky using to generate the seven chord progression that belongs to pattern 10? My understanding so far is that the pitches that divide the octave C-F -C into equal distances are ornamented with 2 notes in between interpolation and the first chord C Major outlines SATB, with the ascending form of pattern 10 in the S. It looks like root movements: down a P4 , up a d5 , up an A3. The pattern is elided where the ending F chord of the first four chord group becomes the first chord of the next four chord set.
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