Vanessa and her sister book club questions
Vanessa and Her Sister - Summary Guide - Book Club Discussion Questions
London, The city is alight with change, and the Stephen siblings are at the forefront. Vanessa, Virginia, Thoby, and Adrian are leaving behind their childhood home and taking a house in the leafy heart of avant-garde Bloomsbury. There they bring together a glittering circle of bright, outrageous artistic friends who will grow into legend and come to be known as the Bloomsbury Group. And at the center of this charmed circle are the devoted, gifted sisters: Vanessa, the painter, and Virginia, the writer. Each member of the group will go on to earn fame and success, but so far Vanessa Bell has never sold a painting. Lytton Strachey has not published anything. Forster has finished his first novel but does not like the title.
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Sign up for our newsletters! When the novel opens, their father has died and the Stephen siblings have moved from their childhood home in Kensington to bohemian Bloomsbury. Why do you think Vanessa chose to uproot her siblings and move to such a radically different part of town? What sort of change is she trying to bring about for her family? Vanessa tells us that her family value words and books over painting and visual arts. How do you think growing up in such a family affected Vanessa's view of herself as an artist? Would you rather be a writer or a painter?
I n this impressive novel, everyone is afraid of Virginia Woolf , particularly her elder sister, the artist Vanessa Bell, who has assumed a maternal responsibility for her troubled, brilliant sibling after the death of their parents. In the reams of biography, memoir and fiction generated by the Bloomsbury group, Vanessa has remained elusive; perhaps because her legacy is visual rather than literary, and perhaps because she never acquired the mythos that grew up around Virginia as a tragic genius. When the novel begins in both Vanessa and Virginia are still the Miss Stephens. Parmar follows the trajectory of this emotional betrayal with sharp insight and careful attention to detail. These are reproduced as facsimiles of the original designs, which make the pages more visually textured, though some are more successful than others. Topics Fiction The Observer.
An intimate glimpse into the lives of Vanessa Bell, her sister Virginia Woolf, and the controversial and popular circle of intellectuals known as the Bloomsbury Group. Vanessa, Virginia, Thoby, and Adrian are leaving behind their childhood home and taking a house in the leafy.
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A fascinating, fictionalized look at Virginia Woolf's lesser-known — but equally talented — sibling. Readers and admirers of Virginia Woolf and her milieu are no doubt aware of the ever-expanding shelves of books — fiction, diaries, letters, biographies, essays, photo albums, scholarly books, and more — that focus on virtually every aspect of what came to be known as the Bloomsbury Group. One would think the subject had been exhausted, but not so. They were prolific correspondents and diarists, and there is a wealth of existing primary material. Impressively, within the factual constraints, Parmar brings to life the voices, writing styles, idiosyncrasies, preoccupations, daily activities, and social milieu not only of Virginia and Vanessa Stephen, but of the entire cast of their siblings, friends, lovers, and acquaintances, including Adrian and Thoby Stephen, Clive Bell, Lytton Strachey, E. Forster, Roger Fry, Duncan Grant, and others. Though Leonard Woolf was far from Bloomsbury — a civil servant in Ceylon — even his voice enters the narrative occasionally through his exchanges of correspondence with friends, including Thoby Stephen and Lytton Strachey.
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